Stay Up Late With the Humanities Council

Check Out Our Lineup for the First Art All Night: Nuit Blanche DC

Washington art and culture is taking over the night on September 24-25, and the Humanities Council will be doing its part at the Warehouse Theatre, 645 New York Ave, NW, from 7PM to 3AM. The event, called Art All Night: Nuit Blanche DC is modeled on similar festivals popular in Europe. The concept has recently been replicated on this side of the Atlantic in Montreal, Toronto, New York, and Miami among others, and starting this year, the nation's capital will begin to get in on the fun!

The Humanities Council's set kicks off with Thomas Sayers Ellis, a poet and photographer who will demonstrate his latest work – a photography exhibition on Go-Go, currently on display at The Gallery at Vivid Solutions, called (Un)Lock It: the Percussive People in the Go-Go Pocket. Sayers will project his images, using them to tell the story of Go-Go, the “non-stop, vernacular dance music unique to Washington, DC.”

At 8PM, If Not For Grace, will demonstrate another artistic style unique to Washington, DC – Hand Dance. The organization will offer a lecture, performance, and a participatory demonstration in which the audience will be invited to hand dance in the authentic DC style!

Later, the Humanities Council will bring its popular Humanitini to the stage. The evening's discussion “From Clubs to Pub,” will uncover the unique culture of DC night life, and will explore how it has changed throughout the years. Panelists will include Kate Micheal of K Street Kate, club DJ Adrian Loving, and opera follower-turned-nightlife scene man, Mood Bacho. The discussion will be moderated by Amy Saidman of SpeakeasyDC, and, as always, will turn on audience participation!

Washington, always a center of literary activity, has become a haven for modern poets and spokenword artists, and thus, no celebration of DC culture would be complete without a poetry slam! In partnership with the National Underground Spokenword Poetry Awards, the Humanities Council will offer a $200 prize to the best of the evening's registered participants. Make sure to drop in on the Warehouse Theatre for this one; the slam is set to begin at 10:30PM and will carry us over into the next day, ending at 1:30AM. The poets lined up for the event are seasoned competitors, so count on being impressed. If you think you have what it takes, step up to the open mic after the competition and show them what you've got!

After the poetry slam and open mic, grammy-nominated progressive hip-hop artist, Christylez Bacon will take over the stage until 3AM. As a performer, Christylez multi-tasks between various instruments such as the West African djembe drum, acoustic guitar, and the human beat-box (oral percussion), all while continuing the oral tradition of storytelling through his lyrics. Christylez will close out the evening, sending the audience out into the night, eyes and minds full, looking forward to next year!

Art All Night: Nuit Blanche DC will take place on the night of September 24-25th all across the Mt. Vernon Square and Shaw neighborhoods of Washington. Check out the event website for more information on participating artists and event sites.

Mayor Gray is a Hand Dancer

Washington Post Article foresees a popularity spike for DC's Official Dance

Hand Dance holds the distinction of being Washington, DC's official dance according to a 2003 city council resolution sponsored by Phil Mendelson. A recent article in the Washington Post written by Nikita Stewart, indicated that the dance style's popularity may get another boost from the local government. It seems that recently elected mayor Vincent Gray is an avid hand dancer, and has been practicing the art form since his childhood. According to the article, Gray, who grew up in Northeast Washington, showcased his talents throughout his campaign. His dedication to hand dance could spark a revolution among DC dancers young and old. Some may hope to preserve the dance and the traditions it represents, and some may see it as an entrée to the local culture and community of which they hope to be a part.

The Humanities Council of Washington, DC awarded a 2010 DC Community Heritage Project grant to Beverly Lindsay-Johnson and the National Hand Dance Association for a documentary surveying the history of this descendant of the Lindy Hop and Jitterbug. The film, entitled Hand Dance: a Capitol Swing, was the result of an August 8th  oral history interview session that featured some of the most notable names in DC Hand Dance. The entire finished product is available through the Humanities Council's DC Digital Museum and Youtube channel. Lindsay-Johnson is also the producer of Dance Party: the Teenarama Story, a documentary film about Washington, DC's Teenarama dance program of the 1960s. The show was open to African-American youth unlike many of its contemporary counterparts. 

As Ms. Stewart demonstrates in her article, shared cultural traditions do not always function as bridges across generational and racial boundaries – not at first. But there also seems to be significant evidence that the world of hand dance holds a lot of potential. Like differing interpretations of a good book, the multitude of ways DC residents have adapted hand dance are likely to fuel debate and discussion among dedicated dancers and newcomers alike. Perhaps those discussions will be limited to the beat of the music, and the occasional trash talk challenge, but the longer people from differing backgrounds spend together, the more likely they are to find common ground.

Fifteen Minutes with Beverly Lindsay-Johnson

HCWDC Intern Ashley Portillo Interviews A Champion of DC's Native Dance

Visit www.nationalhanddanceassociation.org to learn about Hand Dance, the officially recognized dance of Washington, DC. Find out more about Ms. Lindsay-Johnson's most recent project, "Hand Dance: A Capitol Swing," at our 4th Annual DC Community Heritage Project Showcase on Wednesday, December 8. You are guaranteed to learn something new about DC at this FREE program and reception! RSVP today!. 

Image Courtesy: National Hand Dance
Association

Q: For someone unfamiliar with the Hand Dance, could you explain what it is and why it is important to DC culture and history?

A: Hand Dance is a contemporary swing-style-partner dance with roots in Lindy Hop and Jitterbug. It has been almost a 60-year social dance form. It has gone through a series of evolutions per generation, but started out as more of a swing-style dance rooted on the ground. Then, in the 1950s, because of the more up-tempo music, the foot dance evolved to a faster pace. Then, in the 60s, the style cooled itself out with the advent of Blues music. The footwork was a cooler style- more “cool”, I guess you could say. Then, during the disco era, the dancing was more freestyle. And in the early 90s, Hand Dance made a comeback. Actually, in 1993 the Smithsonian Institution recognized Hand Dance as an American Art Form. This support really helped revive this type of dance because all of a sudden it just started to explode! Because back then in the 50s and 60s, everyone was doing it- mothers and fathers, aunts and uncles, kids and grandparents alike. But then, in the 1990s, a revival started to occur. Yet, this time it was a clash between a more freestyle 90s dance with the more structured form the older generations had learned. The dance that we had in the 90s was all about presentation and choreography and you began to see a clash between the two styles of Hand Dance. This is all very important because it is the official dance of the nation’s capital, which is still practiced today in the swing-dance clubs. In the Hand Dance clubs today, you see an improvised type of Hand Dancing. You see a similar structure, but not as much choreography.

Q: Is the improvised form more difficult than the choreographed Hand Dance?

A: Absolutely not. Once you master the man-to-woman indication by way of the movements he makes with his hand or arm, the woman just has to know what those non-verbal communications indicate. She needs to know what those body movements and motions indicate; but all of these styles, whether choreographed and structured or improvised in the clubs, carry the same rule of thumb.

Q: What are some of the challenges you face in trying to preserve or archive the Hand Dance?

A:  Well, they have old-school Hand Dance of the 50s and 60s and there is the contemporary Hand Dance of now. Washington, though, is so unique that you have the older generations at 50 to 60 years old and 70 to 80 years old dancing the Hand Dance. And now, our sociology is so much different than ever before, so the youth is doing it too and they have so much movement. They add to it with their hip-hop twist. The music has changed and the older generation doesn’t always agree with it. But this has taken place in all types of artistic cultures. There’s a pull from the older generation trying to preserve the original Hand Dance. The National Hand Dance Association tries the best that it can to fuse the two together because the older generation understands that change is inevitable. And it respectfully accepts this in order for the dance to continue and not die out. I always say that there has to be change. There has to be an evolution because the music changes and music is what fuels the dance.

Q: Your programs at NHDA have a dual focus: hand dancing as an art form and as a community service. What are some ways in which it is seen as a community service?

A: Well, we’re educating the public on the history of the District of Columbia and African American history and dance. Also, we are teaching the etiquette that comes with the dance and not only that but the cosmic resolution. You have so many young people that have learned it, mastered it, and immersed themselves in the dance. Many have said that this dance has changed their lives completely. I think there has been a social breakdown in contemporary dances- something is missing in them. So we try hard to introduce the Hand Dance to the youth, which is why we have a Youth Chapter.

Q: How did you become interested in and involved with the Hand Dance? 

A: Well… (laughs), I’m originally from New York City and have been in DC since 1977. In the 90s, I was introduced to the Hand Dance when I saw it for the first time. I went to this popular Hand Dance club, Eclipse, and saw this dance form I wasn’t familiar with. I was an oldies and boogie fanatic. Not a fan- a FANATIC (laughs)! I saw this dance and noticed it wasn’t just a dance. I was watching the people and it was amazing to see the dancers smiling to each other. The men were asking the women to dance with them, and then they were taking these women back to their seats (when the dance was over)! These clubs are the safest to be at because it’s a community. So I decided to produce a documentary and I featured the Hand Dance. I became ingratiated in the culture. The more you’re in it, the more you see it as a family. This was back in 1996 when I started as a historian for the NHDA and then became vice president. I’ve been with the NHDA ever since and now I am the president (laughs).

All of the 2010 DCCHP grantees will be recognized at a special showcase held at the Tifereth Israel Congregation in Northwest on December 8th. The Council produced three videos, each combining a collection of grantee interviews or documentary clips that will describe the grantee projects and explain how they were developed. These videos will be shown at the Grantee Showcase, and each organization will have the opportunity to set up a display, to further explain their projects to the attendees. The DCCHP Grantee Showcase is a free, public event. Click here to register.

DCCHP project sponsors and partners include: the U.S. Department of the Interior, National Park Service Office of Historic Preservation, the D.C. Office of Planning and Historic Preservation, the DC Office of the Deputy Mayor for Planning and Economic Development, DC Commission on the Arts and Humanities, DC Historic Preservation, and the National Endowment for the Humanities.